Robots and computers have so far been conceived to perform punctual tasks and exercises in order to help humans with their daily tasks. What would happen if we managed to incorporate learning capabilities into the way they operate?
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Lymph, a work created specifically in response to the theme of the STATE Festival 2016, addresses the nature-culture dichotomy within the broader context and field of affective sciences.
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Questions about what additional knowledge and experience we can acquire by tinkering with and reflecting on current research in creative ways, and to what extend creativity in machines and artificial intelligence is being explored and developed are addressed and discussed.
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We Know How You Feel is an artwork with two parts, looking at computational emotion classification and categorisation; with Emotion Hero the artist developed an Android game that encourages one to investigate how face and feelings are represented by the software.
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This installation creates awareness of even the most subtle movements of the face, and a space for interaction purely based on facial expressions.
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Molding the signifier is a time-based, hybrid, bio-cybernetic installation deploying an external biological agent to infiltrate and disrupt the body-mind ecosystems of virtual humans, resulting in states that we regular humans could perceive as mental illness.
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Autonomous is an intense, emotional look into a future that is already here.
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Within the coming decades, we’ll have the ability to create computers with greater-than-human intelligence, bio-engineer our species and redesign matter through nanotechnology. How will these technologies change what it means to be human?
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The project and installation, specifically developed for STATE Festival 2016, will engage the emotional cognition of visitors' stomachs and intestines in solving one of the world's most pervasive and intractable problems: anthropogenic climate change.
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Frankie is a robot that interviews people about their emotions, attempting to 'learn' what it means to be human. It responds to emotions both with language and 'eye' (camera) movements, creating computer-generated, emotion-inspired video.
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In the near future, sentient robots are targeted for elimination after they develop emotional symmetry to humans, and a revolutionary war for their survival begins.
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A film about the eternal questions of love in the age of artificial intelligence.
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A robot couple goes to a therapist to solve their problems.
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Human Reflections is part of The New York Times' s T Brand Studio collaboration with UBS and MediaVest for the creation of a multimedia interactive project looking into the current state and future of artificial intelligence.
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The iMom will change your life! Well, at least, that's what the ads claim. But when a mother leaves her kids under the supervision of the family's iMom, an unexpected connection is formed.
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A man's journal entry depicting the last step of humanity's evolution.
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The first film written entirely by artificial intelligence: Benjamin, a robot screenwriter conceived the short film that was then created by Ross Goodwin & Oscar Sharp. What's it about? "I don't know. I wish I could see the sun in the first place." - Benjamin.
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Tergo cleans. He cleans up after you and me. He picks up the mess we discard but still remains invisible to all around him. Tergo's a lost soul in the London urban machine. He's ready to leave the life he leads behind.
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A train operator is haunted by visions after a tragic subway suicide.
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From an old self-help tape, the spineless Lars follows guidance which leads him to kidnap his estranged father.
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